Just Above Midtown: 1974 to the Present

中城画廊：1974年至今

●产品信息——

出版社 ‏ : ‎ The Museum of Modern Art, New York/The Studio Museum in Harlem (2022年11月1日)

语言 ‏ : ‎ 英语

页数 ‏ : ‎ 183页

ISBN-10 ‏ : ‎ 1633451372

ISBN-13 ‏ : ‎ 978-1633451377

商品重量 ‏ : ‎ 920 g

尺寸 ‏ : ‎ 24.13 x 1.91 x 30.48 cm

页面参数仅供参考，具体以实物为准

●内容简介——

对纽约传奇画廊和文化实验室的档案深入挖掘和全新诠释，它促进了黑人艺术家与不同背景的同行之间的合作

Just Above Midtown，简称 JAM，是一家由琳达-古德-布莱恩特（Linda Goode Bryant）领导的艺术画廊，也是她自诩的实验实验室，主要面向非裔美国艺术家和有色人种艺术家。该画廊于 1974 年至 1986 年间开放，是当代艺术广阔思想的发源地和辩论的培养地。画廊为 20 世纪末艺术界公认的重要人物--包括大卫-哈蒙斯（David Hammons）、布奇-莫里斯（Butch Morris）、森加-能古迪（Senga Nengudi）、洛林-奥格雷迪（Lorraine O'Grady）和豪德纳-平德尔（Howardena Pindell）--提供了早期的机会，同时也提供了一种无等级的艺术方式，欢迎没有风格限制的艺术家。

An archival dive with fresh interpretations of the legendary New York gallery and cultural laboratory that catalyzed collaboration among Black artists and their counterparts of diverse backgrounds

Just Above Midtown, or JAM, was an art gallery and self-described laboratory for experimentation led by Linda Goode Bryant that foregrounded African American artists and artists of color. Open from 1974 to 1986, it was a place where an expansive idea of contemporary art flourished and debate was cultivated. The gallery offered early opportunities for artists recognized as pivotal figures in late-20th-century art―including David Hammons, Butch Morris, Senga Nengudi, Lorraine O’Grady and Howardena Pindell―as well as a nonhierarchical approach to art that welcomed artists without stylistic proscription.