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The Aesthetics of Marble: From Late Antiquity to the Present /从古典时代晚期到现在的大理石美学

468.00
运费: ¥ 12.00-54.00
The Aesthetics of Marble: From Late Antiquity to the Present /从古典时代晚期到现在的大理石美学 商品图0
The Aesthetics of Marble: From Late Antiquity to the Present /从古典时代晚期到现在的大理石美学 商品图1
The Aesthetics of Marble: From Late Antiquity to the Present /从古典时代晚期到现在的大理石美学 商品图2
The Aesthetics of Marble: From Late Antiquity to the Present /从古典时代晚期到现在的大理石美学 商品图3
The Aesthetics of Marble: From Late Antiquity to the Present /从古典时代晚期到现在的大理石美学 商品缩略图0 The Aesthetics of Marble: From Late Antiquity to the Present /从古典时代晚期到现在的大理石美学 商品缩略图1 The Aesthetics of Marble: From Late Antiquity to the Present /从古典时代晚期到现在的大理石美学 商品缩略图2 The Aesthetics of Marble: From Late Antiquity to the Present /从古典时代晚期到现在的大理石美学 商品缩略图3

商品详情

书名:The Aesthetics of Marble: From Late Antiquity to the Present
定价:468.0
ISBN:9783777434483
作者:Dario Gamboni
版次:1
出版时间:2021-11

内容提要:

书名:The Aesthetics of Marble: From Late Antiquity to the Present /从古典时代晚期到现在的大理石美学
作者:Dario Gamboni
出版:Hirmer Publishers2021
装帧:精装,380
语种:英文
尺寸:22x28 cm

 


For millennia, marble has been a material of choice for art and architecture, a sign of luxury, and a material laden with meaning. It lends itself to being carved, polished, and sliced for a vast range of uses and to a variety of effects. While we know much about its physical qualities, its place as a trade commodity, and the history of its use, a focused study of this material’s aesthetics has yet to be seen. Looking beyond marble’s iconology, this volume engages closely with the phenomenology and anthropology of materials, bringing to light the nuanced aesthetic qualities of marble.

Drawing from theoretical propositions and empirical case studies centered on the Mediterranean from late antiquity to the present, the essays in 
The Aesthetics of Marble illuminate the material appeal of marble and its iconic potential. They examine the range of roles this material can play: from solid marble cladding in architecture to supple marble carvings mimicking human bodies, and from its political and philosophical connotations to modern digital de- and rematerializing of marble. Attention is also devoted to the sculptured object: to labor, technology, and artists’ sensitivity to the qualities of stone and its veining. This volume brings a new aesthetic discussion to this material, rich in history, variation, and possibility.













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