Nora Turato

诺拉·图拉托

•产品信息——

出版社：David Zwirner Books

出版日期：2023年9月

语言：英语

页数：96页

ISBN-10：1644230860

ISBN-13： ‎978-1644230862

尺寸：238mm x173mm

页面参数仅供参考，具体以实物为准

•内容简介——

Clarion系列的第三个作品以阿姆斯特丹艺术家诺拉·图拉托 (Nora Turato) 为主角，她的充满活力的珐琅面板放大了当代文化中无处不在的文本、设计和言论。

“像海伦一样细致，像奥德修斯一样狡猾，这位艺术家首先让我们误读她作品的光滑表面和幽默，认为这是毫不费力的，然后迫使我们关注他们所掩盖的艰苦实践，以及这种努力的历史和可能性。” ——美国艺术

诺拉·图拉托最初是一名平面设计师，她利用文本来颠覆和创造信息。尽管图拉托的许多表演和作品似乎都是由自由联想起草的，但她对它们进行了精心而深思熟虑的编辑，以唤起一种诱人的混乱感。在三幅带有定制字体的标志性壁画中，图拉托解决了我们当代文化中语言、排版和图形设计的泛滥问题，无论是在新闻、社交媒体还是广告中。

该出版物是在图拉托在沃克 52 号举办的广受欢迎的“Government Me Hard”展览之际出版的，其中收录了 Ebony L. Haynes 和 Anna Kats 的文字。作为展览的延伸，艺术家的表演脚本也收录在本书中。如中所述布鲁克林铁路，“在图形流畅和失去意义的语言的光滑海洋中，仍然无可辩驳地制造出了一些东西。”

The third title in the Clarion series features the Amsterdam-based artist Nora Turato and her vibrant enamel panels that magnify the omnipresence of text, design, and speech in our contemporary culture.

“Meticulous as Helen and tricky as Odysseus, the artist invites us first to misread the slick surfaces and humor of her works as effortless, then forces us to attend to the laborious practices they belie, the histories and possibilities of that effort.” —Art in America

Originally trained as a graphic designer, Nora Turato adapts text to subvert and create messages. Although many of Turato’s performances and works appear to be drafted by free association, she meticulously and thoughtfully edits them to evoke a sense of alluring confusion. In three signature murals with a bespoke typeface, Turato addresses the inundation of language, typography, and graphic design in our contemporary culture, whether in the news, on social media, or in advertisements.

Published on the occasion of Turato’s widely popular exhibition govern me harder at 52 Walker, this publication features texts by Ebony L. Haynes and Anna Kats. Serving as an extension of the exhibition, performance scripts by the artist are also included in this publication. As described in The Brooklyn Rail, “In the slick sea of graphic smoothness and language lost from meaning, something has still been irrefutably made.”